| 1 | TIM BUCKLEY |
| GREETINGS FROM LA |
| Year: 1972 | Producer: Jerry Goldstein |
| "THE" LP release of the sexually permissive 70s - this record has outlasted the waterbed. Most play Side One and that's that. Play it all! All seven tracks are beautifully crafted works with Tim working his magic throughout. Sensational stuff, in all senses of the word. |
| 2 | ERIC BURDON |
| ERIC BURDON DECLARES WAR |
| Year: 1970 | Producer: Jerry Goldstein |
| Lucid and fluid, funky and in the groove throughout - Eric has never sounded better. And this was the beginning of West Coast funk group, War. Goldstein brought Eric and the band together in California to make one of the coolest records of the 1970s. They made follow-ups together, but this one hits the note. Includes the hit "Spill The Wine". |
| 3 | PINK FLOYD |
| DARK SIDE OF THE MOON |
| Year: 1973 | Producer: Pink Floyd - engineered by Alan Parsons |
| Still the greatest & cleverest gloomy, expansive, self-indulgent epic created - and the 741 consecutive weeks it held a position on the Billboard Top 200 - that's fourteen and a half years - says it all. It is still one hell of a trip. |
| 4 | TAMAM SHUD |
| EVOLUTION |
| Year: 1970 | Producer: Tamam Shud |
| Recorded in two and a half-hours for under $10 this is THE definitive Oz Prog Rock LP and it's by Newcastle heads, Tamam Shud. Filmmaker Paul Witzig, who made the cult surf flick of the same name, financed the album. Witzig generously paid the studio costs in return for four songs for his movie. The studio rates were $2.50 per hour. It's a classic! |
| 5 | DAVID BOWIE |
| HUNKY DORY |
| Year: 1972 | Producer: Ken Scott |
| Bowie was blossoming after "The Man Who Sold The World", and here each track is a mini masterpiece - the androgynous one painting surreal images with words and in musical arrangement. Clever and compelling Bowie just prior to the birth of the Ziggy monster and just post the birth of his son, Zowie. |
| 6 | THE ROLLING STONES |
| STICKY FINGERS |
| Year: 1971 | Producer: The Glimmer Twins |
| The rockin' Stones are polished and diverse, at times mellow, at times country, with memories of their best - "Beggars Banquet" & "Let It Bleed" - on their debut LP on RS Records. The Stones' best supporting sessionmen are here so let us rock and roll. |
| 7 | LED ZEPPELIN |
| III |
| Year: 1970 | Producer: Jimmy Page |
| Inside the mesmerizing cover of trippy artwork with pinned rotating wheel is a gem of a record - classic English rock with Celtic roots and Zeppelin's best for beauty, scope and musicianship. |
| 8 | HARRY NILSSON |
| NILSSON SCHMILSSON |
| Year: 1971 | Producer: Richard Perry |
| The wonderful Harry hits a homer with lush & rich production from Perry, a great set of songs, a little help from his friends and Harry laying down ALL the vocals himself on the LP. The follow up, Son of Schmilsson is a ten - this one is an eleven. Includes Nilsson's only US No #1 hit, "Without You". |
| 9 | LOU REED |
| TRANSFORMER |
| Year: 1972 | Producer: David Bowie & Mick Ronson |
| Down on his luck, Lou ventures to London - and comes home with a masterpiece. Lou is incredible here. Violent, passionate, whimsical and definite. Commercial and quizzical with Bowie and Ronson evident throughout. |
| 10 | JOHN LENNON |
| IMAGINE |
| Year: 1971 | Producer: Phil Spector, John Lennon & Yoko Ono |
| Having outed The Beatles and Mother, John comes out - still limping but at his song writing best. His friends are back and Spector is along for the ride. My favourite is "I Don't Want To Be A Soldier" - John & Yoko were soon to exchange their whiter than whites for army surplus. |
| 11 | IAN DURY |
| NEW BOOTS & PANTIES |
| Year: 1977 | Producer: Peter Jenner, Laurie Latham & Rick Walton |
| The Australian version of this classic LP added the radio hit, "Sex & Drugs & Rock & Roll" - but even without this anthemic fave, Boots rocks. It's Cockney punk, bawdy music hall and unadulterated rock and roll. The band cook, Ian delivers and Stiff have a winner. |
| 12 | SONNY TERRY & BROWNIE McGHEE |
| YOU BRING OUT THE BOOGIE IN ME |
| Year: 1973 | Producer: Hal Winn & Maurice Rogers |
| Blind Sonny and maimed Brownie demonstrate how to shuffle, play R&B, kick up their heels and have a good time. These old men of the blues had been playing together for more than 30 years when they recorded this set - it shows. Great session musos and a modern dynamic recording make this a real gem by true blues legends. |
| 13 | ELVIS COSTELLO |
| MY AIM IS TRUE |
| Year: 1977 | Producer: Nick Lowe |
| The debut LP from the other Elvis demonstrates his superior songwriting skills were there from the start. Agitated and sensitive to his world - this kid is ahead of himself. Beautifully recorded by Lowe and the Costello voice is startlingly mature. Includes the impassioned "Alison". |
| 14 | THE DOORS |
| LA WOMAN |
| Year: 1971 | Producer: Paul A Rothchild |
| The Lizard King sounds refreshed on this crystal clear recording of Doors tunes. There are some epic masterpieces in here and the 3 minute hit "Love Her Madly". The songs are compelling with the poet, Morrison, delivering his rich array of stories in his best voice on record. |
| 15 | CAROLE KING |
| TAPESTRY |
| Year: 1971 | Producer: Lou Adler |
| After a dozen years of writing hits for others, Carole Klein hits pay dirt in her own right, as a solo artiste. And what a beautiful LP Tapestry is. I like Ms King's voice - and she's great here - confident in the material and in her ability. A truly gifted singer songwriter of the 20th century. |
| 16 | CREEDENCE CLEARWATER REVIVAL |
| COSMO'S FACTORY |
| Year: 1970 | Producer: John Fogerty |
| Hometown rock, garage boogie or just good time American rock and Roll - Creedence were near their demise in 1970 (by 72 they were a trio, and soon after that, no more) but this was their biggest and best. I loved the cover and wanted a shed just like the one in the photo. Fogerty pumps and the rhythm section fire. Includes their epic 10 minute version of "I Heard It Through he Grapevine". |
| 17 | DEVO |
| ARE WE NOT MEN? WE ARE DEVO! |
| Year: 1978 | Producer: Brian Eno |
| Eno was the enigmatic champion of high brow production in the 1970s. Back to basics with Devo. Fabulous industrial pop. Fascinating version of "Satisfaction" - and from the opening bars to the last track on side two, it never lets up. Drop it on and try not to bop along. |
| 18 | FRANK ZAPPA |
| OVERNITE SENSATION |
| Year: 1973 | Producer: Frank Zappa |
| Funny guy, Frank - in every sense of the word. Here's he's hilarious and accessible - strictly commercial smut and sarcasm. The lyrics are on the gatefold cover but don't let your mother see them. Songs are played at the usual level - exquisite musicianship, but... Naughty boy, Frank. |
| 19 | SLADE |
| SLADE ALIVE |
| Year: 1972 | Producer: Chas Chandler |
| Exciting, threatening, brash and youthful rock and roll with Noddy the howler having - at times bashfully - the finest time of his life. The peak of Slade in their element - incredibly live and full of fun. |
| 20 | TALKING HEADS |
| MORE SONGS ABOUT BUILDINGS & FOOD |
| Year: 1978 | Producer: Brian Eno & Talking Heads |
| The Heads followed up their debut, "77", with this fine set of jerky quirky pop. The themes are pure David Byrne, the playing exceptional and the pace frantic. Eno is at the controls so there's overtones of his solo 70s work here. That can only be a plus. The Heads were an exciting original quartet on this 1978 release. |
| 21 | STEVE HARLEY & COCKNEY REBEL |
| THE BEST YEARS OF OUR LIVES |
| Year: 1975 | Producer: Steve Harley & Alan Parsons |
| Terrific Pommy rock LP with totally accessible tunes - shades of Ian Hunter and David Bowie - and technically perfect recording with Alan Parsons behind the desk. Excellent guitar breaks and Steve's forceful cockney voice over-riding the tasty arrangements. Includes the hit "(Come Up And See Me) Make Me Smile". |
| 22 | ENO |
| BEFORE & AFTER SCIENCE |
| Year: 1977 | Producer: Brian Eno & Rhett Davies |
| Here's a toss up. Eno's four commercial rock solo LPs of the 1970s are all worthy of this place. "Here Come The Warm Jets", "Taking Tiger Mountain By Strategy" and "Another Green World" are wonderful albums, but this one, the last in the four releases, best shows off Eno's songwriting ability and distinctive vocals. Recorded during Eno's era with Bowie in Berlin. |
| 23 | BLONDIE |
| BLONDIE |
| Year: 1977 | Producer: Richard Gottehrer |
| This is raw Blondie - straight out of CBGBs - It's urgent, frenetic, angry and beautiful. Deborah Harry spits out venom as Clem Burke froths behind his kit. How sexy is the ex-Playboy bunny as she offers "In The Flesh". But mostly it's fast and furious. A stark debut LP. |
| 24 | THE WHO |
| WHO'S NEXT |
| Year: 1971 | Producer: Glynn Johns |
| England's perennial favourite headliners come to their fore with Townsend's discovery of the moog. This is stadium rock - huge in sound, so dynamic and a thrill from go to woah. Daltry is at his best, Entwistle plays a solid bass and Moon is awesome with Glynn Johns weaving his magic in the control room. But it's Pete's LP. The trademark power chords and introduction of the moog in rock make this a masterpiece. |
| 25 | DEEP PURPLE |
| DEEP PURPLE IN ROCK |
| Year: 1970 | Producer: Deep Purple |
| In 1970 Britain's loudest heavy rockers (as listed in the Guinness Book Of Records) produced a great rock LP - Gillan's first with the band - and prelude to "Fireball" and "Machine Head". With this album The Purple perfected the guitar (Blackmore) and the organ (Lord) playing in unison - so close you can't tell them apart. When Richie does rip loose he howls. This is the group's best lineup - Turn it up. |
| 26 | JOE COCKER |
| MAD DOGS & ENGLISHMEN |
| Year: 1970 | Producer: Denny Cordell & Leon Russell |
| When Smokin' Joe toured the USA in early 1970 - following his "overnight success" at Woodstock - sold-out performances were recorded and filmed and a double live LP and in-concert motion picture were made and released. With up to twenty musicians and "choir" on stage (under the guidance of maestro Leon Russell), the sound is so full - they rock - and all the Cocker favourites are here. See the film, too. |
| 27 | CAT STEVENS |
| TEA FOR THE TILLERMAN |
| Year: 1970 | Producer: Paul Samwell-Smith |
| The Cat had overcome tuberculosis and in that time, searching for the meaning of life, written some beautiful tunes and, on its release, he opened his inner thoughts to the world. And it's pur-fect! Introspective ("Father And Son"), pessimistic ("Where Do The Children Play?"), optimistic ("Miles From Nowhere") and childlike (The Cat painted the cover). This album edges out "Teaser & The Firecat" - both The Cat's finest works. |
| 28 | PATTI SMITH |
| HORSES |
| Year: 1975 | Producer: John Cale |
| I feel dark and desperate when I listen to Patti's debut LP - but it's so exciting. The high priestess of punk poetry found rock and roll and this album, played loud, has speakers sweating. The epic title track builds to an orgasmic crescendo, as does the opener, "Gloria" - which is barely recognisable as a Van The Man cover. Which it is - but it's not when Ms Smith is spitting at the mic. Hear it! |
| 29 | ROXY MUSIC |
| FOR YOUR PLEASURE |
| Year: 1972 | Producer: Chris Thomas, John Anthony & Roxy Music |
| Roxy - with Bryan and Eno still collaborating. Drop the stylus on side one and this, their second LP, jumps out of the speakers at you. Gorgeous gatefold cover reflects the style and mood of the album. Intricate arrangements - rock and roll piano, dynamic woodwind, Eno, a driving rhythm section and Ferry's voice fresh and fabulous - if there's art in rock music, this is it. Eno left after this - Roxy's music was never as good. |
| 30 | STEVIE WONDER |
| TALKING BOOK |
| Year: 1972 | Producer: Stevie Wonder |
| Little Stevie grows up - he's matured and musically there's nothing of it's time that compares. It's loose, with Stevie playing all, yet the arrangements are so damn fine. Side one opens with "You Are The Sunshine Of My Life" - beautiful. Each track segues into the next. "Superstition" opens side two. This is the Stevie groove. The album is wonder-ful! |
| 31 | ELEPHANT'S MEMORY |
| ELEPHANT'S MEMORY |
| Year: 1972 | Producer: John Lennon & Yoko Ono |
| This little known New York band played on John & Yoko's "Sometime In New York City" so as some sort of payment Lennon & Ono produced this fantastic LP of solid rockers and electric blues. These guys rip. Sounds like they've carried their gear in, plugged in, rolled the tape and rocked their socks off. You can hear Lennon The Teddy Boy at work. This is a fabulous homage to 50's Rock and Roll. |
| 32 | CROSBY, STILLS, NASH & YOUNG |
| DEJA VU |
| Year: 1970 | Producer: Crosby, Stills, Nash & Young |
| How sweet it is, these four young men singing together - and the songs each member has brought to this remarkable LP exhibit the scope of their most beautiful harmonies. Conjuring up images of The Woodstock Generation - Joni's "Woodstock" is here - Deja Vu is full of peace, love and brown rice. An album that reflects on the youthful sixties as the four young men face the future decade and beyond. |
| 33 | JANIS JOPLIN |
| PEARL |
| Year: 1971 | Producer: Paul A Rothchild |
| Released post humously - completing the trio of official Janis Joplin LPs - after '68s "Cheap Thrills" and '69's "I Got Dem Old Kosmic Blues Again, Mama" - Janis is it when it comes to sheer rock / blues voices - she has never been matched. And "Pearl" is her best - the band (Full Tilt Boogie Band) are her best - and all the songs are balltearers. Pity she never got to do the vocal on "Buried Alive In The Blues". |
| 34 | SPLT ENZ |
| MENTAL NOTES |
| Year: 1975 | Producer: David Russell & Split Enz |
| The Kiwi lads debut and they are at their weirdest and most wonderful - It is "Stranger Than Fiction". Roxy's Phil Manzanera heard it and asked to produce their follow up. On Mental Notes, Eddie Raynor's expansive keyboards and Tim's wavering vocal and the heavy use of imagery in his lyrics entices closer listening. This is well before Tim's little brother stole the reigns to Split Enz. The original, Phil Judd, shines here. |
| 35 | VAN MORRISON |
| HIS BAND & STREET CHOIR |
| Year: 1970 | Producer: Van Morrison |
| Van released his two best LPs in 1970 - "Moondance" and this one, but on His Band & Street Choir The Man is at his blue-eyed soul best. From the opening notes of "Domino" one knows they're in for a good time. And so the journey begins - the beautiful "Crazy Face", the uptempo R&B "Give me A Kiss", the pumping "I've Been Working" - hey, we're only at track four! All you could want in Van is on this album. |
| 36 | GEORGE HARRISON |
| ALL THINGS MUST PASS |
| Year: 1970 | Producer: Phil Spector |
| The quiet ex-Beatle launches his solo career with a massive debut - a three record set, and although the third LP in this collection is jamming in the studio, albums one and two show George's further development as a songwriter. All his friends are here - Ringo, Klaus, Billy Preston, Bobby Keys, Badfinger, et al under the supervision of Mr Spector. The cover photo was shot in the grounds of George's Crackerbox Palace. |
| 37 | THE TUBES |
| YOUNG & RICH |
| Year: 1976 | Producer: Ken Scott |
| The Tubes 1975 debut was produced by Al Kooper. This, the follow up, with Ken Scott at the helm, perfectly captures the humour and power of San Francisco's premier theatre rock band. This one's like a movie - each song a scene delivered by the well-named and very flexible Fee Waybill. They rock with digs at Spector's wall of sound, Elvis, the nouveau riche and the unreal and untamed world of the 70s rock star. Play loud! |
| 38 | RODRIGUEZ |
| COLD FACT |
| Year: 1970 | Producer: Theodore & Coffey |
| Rodriguez, the enigmatic, elusive anti-pop star only ever made an impact with his trippy hippy tunes of social consciousness (and unconsciousness) in Australia and South Africa. All in all, he released 86 minutes of music over three albums - the pick of the crop is here. Double Jay staples "Sugar Man" and "I Wonder" are his best-known works - try not singing along! |
| 39 | HUMBLE PIE |
| ROCK ON |
| Year: 1971 | Producer: Glyn Johns |
| Steve Marriott is at his peak on the Pie's LP, Rock On - the apt title for this great album by the UK's most underrated hard rock quartet. Peter Frampton, the other half of the creative cog, is equally magnificent - this shits on 76's "Comes Alive". Alexis Korner guests and studio wiz, Glynn Johns is present. To top this, The Pie's rhythm section of Greg Ridley (bass) and Jerry Shirley (skins) pound out an irresistible rock sound. |
| 40 | ALICE COOPER |
| SCHOOL'S OUT |
| Year: 1972 | Producer: Bob Ezrin |
| What a package! The cover - a grafittied stand-up school desk. The vinyl record - wearing girl's panties. And the music - Vincent shocked us with "Killer", threatened us with "I'm Eighteen" - now he was leading a whole generation of kids into rock and roll rebellion and revolution. This LP of teen anthems (and the packaging) was almost recaptured on Alice's follow up, "Billion Dollar Babies"... almost! |
| 41 | SANTANA |
| CARAVANSERAI |
| Year: 1972 | Producer: Santana |
| Here's an album that requires a clean copy for maximum appreciation. For it is so dynamic from the distant call of a cricket to the all-in climactic and dramatic guitar, organ and percussion that is the signature of the sophisticated and clinical Santana. It's late at night, city dwellers, when there is a remote window of tranquility - reach for this LP and Carlos and crew takes the listener to a better world. |
| 42 | TERRY REID |
| RIVER |
| Year: 1973 | Producer: Tom Dowd |
| In 1968 Terry Reid was on the verge of superstardom. The Englishman had been signed to MCA America. So when approached by Page to join The New Yardbirds, Terry said no, suggesting his mate, Robert. The rest is Page, Plant, Jones & Bonham history. But Terry's no slouch. This beautifully crafted LP of Reid originals showcases a most intriguing and haunting voice. Like Roy Harper, so good yet ignored. |
| 43 | RINGO STARR |
| RINGO |
| Year: 1973 | Producer: Richard Perry |
| "I want all my old friends to write the songs and be on it, I want a rich lush sound, and I want an elaborate gatefold cover with book and illustrations by my old mate Klaus." And thus Ringo's masterpiece was created. John wrote a song and played on it. Paul & Linda contributed a song and played on it - and good old George wrote a few and put Ringo's name on them. Perry produces and the cover is a work of art. Beautiful! |
| 44 | DAVE EDMUNDS |
| ROCKPILE |
| Year: 1972 | Producer: Dave Edmunds |
| Welshman, and American rockabilly devotee, Edmunds built Rockfield studio to recreate the Sun studio slap-echo and Spector's wall of sound. It all came together here on Rockpile - later to be the name of Dave's band. A rollicking LP of savvy guitar work on some classic toons. Includes the hits "I Hear You Knocking" and "Promised Land". |
| 45 | JAMES TAYLOR |
| SWEET BABY JAMES |
| Year: 1970 | Producer: Peter Asher |
| Sensitive singer songwriters were everywhere in the early 70s - but none as sensitive and no album a better example than James' Sweet Baby of 1970. His first American solo LP (having made his solo debut in England on Apple in '68) features beautiful and moving songs composed whilst in psychiatric care for heroin addiction. Taylor is only human and invariably vulnerable yet touching, caring and compelling. |
| 46 | SEX PISTOLS |
| NEVER MIND THE BOLLOCKS HERE'S THE SEX PISTOLS |
| Year: 1977 | Producer: Chris Thomas & Bill Price |
| Glen Matlock was the hero of the Pistols. Cook and Jones grew to become accomplished musicians, but Matlock was the glue, originally. Lydon couldn't sing and Sid couldn't play when McLaren sacked Glen and upturned the Pistols into reluctant and unprepared superstars. The Pistols LP captures the moment on the nose, if you get what I mean. Malcolm was despised - he created a pop monster. Pogo anyone? |
| 47 | SIMON & GARFUNKEL |
| BRIDGE OVER TROUBLED WATER |
| Year: 1970 | Producer: Roy Halee |
| When Paul and Art came to make this only one turned up. Simon plays most of this alone. Art was acting in Catch 22 as this was recorded. For pop sensibility, Simon's right up there. The epic title track opens this diverse yet cohesive set of classic pop tunes. "El Condor Pasa", "Cecelia", "The Boxer", "The Only Living Boy In New York" and The Everly's "Bye Bye Love". Fall in love with this beautiful album again. |
| 48 | PAUL & LINDA McCARTNEY |
| RAM |
| Year: 1971 | Producer: Paul & Linda McCartney |
| Released under the guise of Mr & Mrs McCartney, Paul stepped up when making Ram - mostly playing with himself. If it be true that all composers have only so many songs of worth in them - before the well runs dry - then Paul - solo - hits his high spot on this LP. The whole gamuts - pure pop, music hall, ballads and rock & roll. This is a relaxed McCartney with his sheep, his dogs, a young family and his heart in the country. |
| 49 | THE STEVE MILLER BAND |
| FLY LIKE AN EAGLE |
| Year: 1976 | Producer: Steve Miller |
| Miller takes us on a musical trip with this warm album of polished rock songs. "Rock 'n Me" was a US No #1. Joachim Young guests on organ, which deserves special mention for he sets the mood of the LP from the opening bars. Spatial and subtle, the songs segue smoothly with Steve's rich & relaxed vocal style floating throughout. |
| 50 | BOB DYLAN |
| BLOOD ON THE TRACKS |
| Year: 1975 | Producer: Bob Dylan |
| Here is Dylan's best LP of the 1970s - a bitter chronicle of love affairs gone wrong. The Dylan recording technique of spontaneity shines here with a bunch of relatively unknown musicians bringing light to such classic tracks as "Tangled Up in Blue", "Idiot Wind" and the mighty "Lily, Rosemary and The Jack Of Hearts". |
| 51 | SKYHOOKS |
| LIVING IN THE 70s |
| Year: 1974 | Producer: Ross Wilson |
| With Aussie themes, scenarios and settings, this is the first LP by an Australian group that delivered songs dealing with the angst and experiences of teenagers down under. The boyish enthusiasm of Shirley's delivery, the lyrical humour of Greg MacAinish and the Hooks freshness and musicianship made Ross The Boss' job an easy one. This debut is a great batch of songs. Six banned by Aussie radio. |
| 52 | THE STRANGLERS |
| NO MORE HEROES |
| Year: 1977 | Producer: Martin Rushent |
| The Guildford Stranglers were, at first a soft-rock group. With the advent of punk, and the hiring of keyboardist Dave Greenfield, their sound hardened. The swirling organ, unrelenting pace and Hugh Cornwell's angry vocal makes this unusually polished punk-rock LP simply irresistible. |
| 53 | THE B52's |
| THE B52's |
| Year: 1979 | Producer: Chris Blackwell |
| Good times are assured, and this 1979 debut set-up the fun that was to come from Fred Schneider and his band from Athens Georgia. The beehives and beat are so retro - this is irrelevant, disposable, danceable pop. Includes "Planet Claire" and the extraordinary "Rock Lobster". Hold a party and play this loud. |
| 54 | GILBERT O'SULLIVAN |
| HIMSELF |
| Year: 1971 | Producer: Gordon Mills |
| Irish singer songwriter Raymond O'Sullivan signed to Gordon Mill's newly formed MAM label in 1970. This, his debut album, came out in October 1971. Big brassy arrangements push along this collection of really clever pop ditties. He's cute, observing the big bad world from the wide-open innocent eyes of a young lad. Joyous overtones of 1920's trad underlie Gilbert as his most adventurous. |
| 55 | BLOOD, SWEAT & TEARS |
| 3 |
| Year: 1970 | Producer: Bobby Colomby & Roy Halee |
| The big voice of David Clayton Thomas shines on this choice set of jazz rock classics. Includes the hit version of Carole King's "Hi De Ho" plus big band versions of "Sympathy For The Devil", "Something's Coming On" and "Fire & Rain". But I'll stick my neck out and suggest "Lucretia MacEvil" the best. Intricate arrangements |
| 56 | LEONARD COHEN |
| NEW SKIN FOR THE OLD CEREMONY |
| Year: 1974 | Producer: Leonard Cohen & John Lissauer |
| With this 1974 release Cohen's laconic flat vocal is at it's best here - fronting a chorus of angelic girls on this collection of neatly arranged typically haunting compositions. A neat little band accompanies Cohen's acoustic guitar to give this LP an unexpected brightness to the written observations of the artiste. Leonard was never a rock star but this album demonstrates his undoubted ability to craft some beautiful tunes. |
| 57 | THE CLASH |
| THE CLASH |
| Year: 1977 | Producer: Mickey Foote |
| When these lads joined the throng of 1970s pimply disaffected youth - they brought to a tiring music scene, full of rock dinosaurs and disco, a new generation's raw anger, and a political agenda. They shine on this debut LP. "White Riot", "I'm So Bored With The USA", "London's Burning" - best UK punk put on record. Also paying homage to the Jamaican ska sound, with an epic "Cops & Thieves". This is a must! |
| 58 | PAUL SIMON |
| THERE GOES RHYMING SIMON |
| Year: 1973 | Producer: Phil Ramone, Paul Samwell-Smith, Roy Halee, Paul Simon |
| The chirpy opener, "Kodachrome", is the first of ten beautifully written, played and recorded songs that makes this Simon's greatest solo LP. Numerous American genres of music, including call & response gospel on "Loves Me Like A Rock" with the answering Dixie Hummingbirds, are explored here. Paul's vocal is consistently magical throughout. On this, he is one of the greatest singer songwriters of the 20th century. |
| 59 | JONI MITCHELL |
| COURT & SPARK |
| Year: 1974 | Producer: Henry Lewy |
| Joni learnt to use her voice when she was an institutionalised child with polio. Never given a chance of walking again, Joni did - and she used that voice again too. Friend of CSN&Y, Joni reached the pinnacle of her creative genius with this 1974 LP, utilising a plethora of the best session musos in the US and some friends (Robbie Robertson, Jose Feliciano, Cheech & Chong). Joni's voice is delicious and the production tasty. |
| 60 | FLO & EDDIE |
| ILLEGAL, IMMORAL & FATTENING |
| Year: 1975 | Producer: Joe Wissert |
| Volman and Kaylan are loud and omni-present on this rock, pop, comedy release that went through to the keeper. It's good - part studio, part live. The studio tracks are enjoyably Turtlesque. Beaut tunes, orchestral-pop arrangements and glorious vocals from Mark and Howard. The live tracks take off where "The Mud Shark" finished. Rude, crude, naughty-boy themes with some added killer impersonations. Be game. |
| 61 | RICHARD CLAPTON |
| GOODBYE TIGER |
| Year: 1977 | Producer: Richard Batchens |
| Australia's supreme singer songwriter delivers his best selection of well crafted songs on this LP, giving the listener a feeling of something to celebrate in the breezy summery feel Batchens has produced. There's passion and attitude, and a confidence in Clapton's writing. Title track is a standout. Includes "Down In The Lucky Country" and "Deep Water". A rewarding listen for it's so easy to sing along. |
| 62 | JJ CALE |
| NATURALLY |
| Year: 1972 | Producer: Audie Ashworth |
| At sixteen minutes a side, with JJ's debut of 72 one can't get bored, even though this Oklahoma born singer songwriter sounds like he enjoys nothing more than strumming his guitar on the front porch. There's easy shuffles with a cotton-field boogie, rocking chair blues, the swampy sound of the Deep South and laid-back ballads. All this, under JJ's relaxed vocal style and masterful guitar licks. Mark Knoffler is but a student. |
| 63 | NEIL YOUNG |
| HARVEST |
| Year: 1972 | Producer: Elliot Mazer, Jack Nitzsche, Henry Lewy & Neil Young |
| The shaky, lilting vocal of Neil Young is front stage on Harvest. He wore a back brace throughout the recording. Each track is a mini masterpiece. The album, biggest seller in the States in '72, is now a classic. Working in collaboration with members of the legendary Stray Gators (including Jack Nitzche on piano), Neil manages to surpass his 1970 effort "After The Gold Rush", a close runner-up. |
| 64 | SUPERTRAMP |
| CRIME OF THE CENTURY |
| Year: 1975 | Producer: Ken Scott & Supertramp |
| With mammoth radio plays on release, the songs on Crime Of The Century are now well known. The super slick arrangements and super huge production with the Supertramp trademark of frontal keyboards and guitar are in the correct balance here. Richard Davies and Roger Hodgson have created a true artistic work and a pop commercial success. One of the greatest rock epic album releases of the 1970s. |
| 65 | RY COODER |
| BOP TIL YOU DROP |
| Year: 1979 | Producer: Lee Herschberg & Ry Cooder |
| Talisman and troubadour Ry Cooder was to be Brian Jones replacement until he fell out with stoned Keef. Ten years later the Californian guitarist made the first all-digital rock recording. A crisper sound, in its time, was not to be found. Technically (on both sides of the studio window) a masterpiece. West Coast meets Southern Blues with an Ameriachi twist. So enjoyable leaves one salivating for more. |
| 66 | DONOVAN |
| COSMIC WHEELS |
| Year: 1973 | Producer: Michael Peter Hayes |
| Here's guessing you had to be there. In 1973 60's leftover Donovan Leitch wheeled out this collection of cosmic consumables that had aging incense burning hippies melting in their bean bags. This definite rock album (excluding the cute novelty "Intergalactic Laxative") is Donovan's astrological moment in time. Dig it. |
| 67 | MADNESS |
| ONE STEP BEYOND |
| Year: 1979 | Producer: Clive Langer & Alan Winstanley |
| This is the fabulous debut and birth of the so-called rock-steady beat. Behind the infectious vocal of a geezer or guv'nor is a wailing sax and The Nutty Sound of London's Madness. It's contagious fun. Hop and bop stuff, and the boys' best collection on vinyl. The program includes some loverly pure pop melodies with pure fun themes and a coupla fancy dancy instrumental shakers. The best in its genre. |
| 68 | IAN HUNTER |
| IAN HUNTER |
| Year: 1975 | Producer: Ian Hunter & Mick Ronson |
| Mott The Hoople meets The Spider From Mars. Two to Britain's rock stalwarts collaborated in 1975 and with Hunter's fierce vocal and Ronson's blistering guitar work produce an exceptional English hard rock LP. Includes the Ziggyesque "Once Bitten Twice Shy" and a definitive example of the 1970s UK rock epic in "The Truth, The Whole Truth, Nothing But The Truth". Title deceiving (where's "& Mick Ronson"?) |
| 69 | MELANIE |
| CANDLES IN THE RAIN |
| Year: 1970 | Producer: Neil Bogart |
| Melanie came away from Woodstock 69 and wrote "Candles In The Rain". The new decade dawns and Ms Safka, through her childlike (sometime sweet - sometimes at a scream) voice, gives us hope in the Vietnam era. This strikingly beautiful Russian descendant's delivery is instantly recognisable and though she never made the movie, she conjures up all that was good about the Woodstock generation. For flowerchildren. |
| 70 | LEON RUSSELL |
| WILL O' THE WISP |
| Year: 1975 | Producer: Denny Cordell & Leon Russell |
| An enticing LP from the illicit drawl of supersessionman Russell. A superb songwriter, here he too proves his talents as a unique performer on his fifth solo album. Superior musicianship prevails in exuberant performances throughout. There is no finer example of Leon's gospel-powered fusion of rock, country and blues than this LP. Includes the romantic ballad "Lady Blue" and the lilting "Back To The Island". |
| 71 | QUEEN |
| A NIGHT AT THE OPERA |
| Year: 1975 | Producer: Roy Thomas Baker & Queen |
| Queen are at their high-point with this mega-extravaganza where the listener's senses hit overload. The humour in Queen's lyrics is testament to a band not taking themselves too seriously. Marvelous playing. Queen boasted no synthesisers were used. Classy production values. And, of course, the rich multi-layered vocal orchestration. What an accomplishment it is! A most complete rock LP of the 1970s. |
| 72 | JONA LEWIE |
| ON THE OTHER HAND THERE'S A FIST |
| Year: 1978 | Producer: Bob Andrews, Dave Robinson & Jona Lewie |
| Jona's long and honourable career started in the mid-60's British blues boom. He was one of the first artists signed to Stiff Records. Chart successes in Australia ("Louise", "Kitchen At Parties" and "Stop The Cavalry") came after this debut release. Primarily light-hearted bouncy pop, heavy on keyboards with wistful irreverent lyrics. Stand out track is the cracking "Hallelujah Europa". |
| 73 | JOAN ARMATRADING |
| SHOW SOME EMOTION |
| Year: 1977 | Producer: Glyn Johns |
| This is classic Joan Armatrading - and though she never made it big in the US, the St Kitts born singer-songwriter was a huge hit in her adopted home of England and far flung Australia. Joan's delicate voice is constant as songs alternate from solo Joan (vocal and acoustic guitar) to neat band rock - all of it sweet, sensitive and warm. Fender Rhodes by Georgie Fame. |
| 74 | THE PRETENDERS |
| THE PRETENDERS |
| Year: 1979 | Producer: Chris Thomas & Nick Lowe |
| In 1979 Chrissie Hynde (born in Akron, Ohio) released this powerful debut fronting her newly formed English band, The Pretenders. From the very opening lines, she's spitting, gritting and "shitting bricks". You want attitude? Chrissie grunts and groans and never lets up. It's exciting - and she's somewhat threatening and dangerous. Chrissie and her band never sounded this good again. |
| 75 | ERIC CLAPTON |
| 461 OCEAN BOULEVARD |
| Year: 1974 | Producer: Tom Dowd |
| Eric finally kicked heroin for good and with this tasty offering, recorded in Miami, the master guitarist showcases his wares as a matured man. With renewed vigour, "god" balances his light vocal sound with a group of boisterous seasoned musos under the guidance of studio guru Tom Dowd. Exquisite guitar virtuosity. Classic tracks include Marley's "I Shot The Sheriff" and the Johnny Otis penned "Willie & The Hand Jive". |
| 76 | THE ANGELS |
| FACE TO FACE |
| Year: 1978 | Producer: Mark Opitz |
| In the studios at Alberts 1977 Christmas Party a towering Doc Neeson was cordial, courteous and a man of quiet disposition. On stage though, it was quite a different matter. With tireless touring they played with aggressive conviction and breakneck speed. And on record they peaked with this exceptional release of 1978. Not just Countdown favourites, Adelaide's Angels were true exponents of Aussie pub rock. |
| 77 | DAVID BROMBERG |
| WANTED DEAD OR ALIVE |
| Year: 1974 | Producer: David Bromberg |
| David Bromberg was a US college-circuit hero. His repertoire included folk, rock, trad and blues, all laced with humour and artisan sensitivity. This LP, part live - part studio, includes songs from Harrison and Dylan and, on the studio cuts, great support from members of Grateful Dead. Playing Sydney's Regent in 1978, Dave toured with two others, all three playing guitars, fiddles & banjos. Gleeful punters stomped their feet sore. |
| 78 | TELEVISION |
| MARQUEE MOON |
| Year: 1977 | Producer: Andy Johns & Tom Verlaine |
| In it's genre you will not hear a more complete album of NY punk of this era than Television's debut LP of '77. Demo recordings from 1974 (produced by Eno) are still unreleased. This Andy Johns' recording gives the listener an aural insight into the world of CBGB's. It's angry, it's personal, it's grunge and, at times, stinks of early Patti Smith and Talking Heads. There's more to this 12"er than the epic title track. Buy it. Play it. |
| 79 | ETTA JAMES |
| COME A LITTLE CLOSER |
| Year: 1974 | Producer: Gabriel Mekler & Trevor Lawrence |
| In rehab for heroin and alcohol addiction, Etta was issued with day-passes to attend the recording sessions of this LP. She somehow got through it (both the LP and eventually the long battle with her evils) and gave us this moving gospel, bluesy and funky album, Her guts, her delivery, her presence is intense - for all to hear, and she rocks. And what a band - this is "in the groove". Shake your tush & let loose. |
| 80 | JETHRO TULL |
| AQUALUNG |
| Year: 1971 | Producer: Ian Anderson & Terry Ellis |
| The Lords of English Rock made some startling albums in the 70s ("Thick As A Brick", "Passion Play", "Songs From The Wood" et al) yet their "anti-Church, pro-God" 1971 release is Tull at their most dramatic. It was their most successful LP in the US and sold over 5 million copies worldwide. It rollicks along, juxtaposed with ethereal passages where Anderson shines. Includes "Cross-Eyed Mary" and "Locomotive Breath". |
| 81 | STEELY DAN |
| PRETZEL LOGIC |
| Year: 1974 | Producer: Gary Katz |
| The first three Steely Dan albums were masterpieces. 72's "Can't Buy A Thrill" and 73's "Countdown To Ecstasy" laid the foundations - Now, in '74, Becker & Fagen lean slightly left, with salutes to jazz greats, and make their finest LP. The sophisticated arrangements, and all up studio wizardry of the main players, does not get in the way of some classic 70s FM sounds. Includes "Ricky Don't Lose That Number". |
| 82 | LENE LOVICH |
| STATELESS |
| Year: 1978 | Producer: A Stateless Production |
| Detroit born Lene, The Slavic Milkmaid of Punk, was discovered by UK jock Charlie Gillett who signed her up to his Oval Records, and then passed her over to Stiff. This exceptional debut LP was recorded with co-writer and future husband Les Chappell and highlights Lene's unique oddball delivery on some great pophooks. Includes "Lucky Number" and "Say When". Lene vanished after three LPs in 1982. |
| 83 | THE ALLMAN BROTHERS BAND |
| BROTHERS & SISTERS |
| Year: 1973 | Producer: Johnny Sandlin & The Allman Bros Band |
| An eight track car-cartridge tape of this LP should never leave the dashboard console for finer "driving music" is hard to conjure up. By 1973 The Allman Bros Band had stopped riding motor bikes. Surviving brother, Greg, went along with new bandleader Betts, to produce this piece of West Coast mastery. Howling guitars, ripping piano and the joyous beat of two great drummers. Take a country trip in the panelvan with it. |
| 84 | SQUEEZE |
| COOL FOR CATS |
| Year: 1979 | Producer: John Wood & Squeeze |
| Boys will be boys and the quirky pop sound played by these English lads is cute, clever, and so melodic with continuous vocal lines spitting forth their situ - a la young men in a life-long pub party. Tilbrook & Dillford are masters of writing, ultimately, smart sophisticated pop. Last drinks, gentlemen? I don't think so - I'll go another round. |
| 85 | MANFRED MANN'S EARTH BAND |
| NIGHTINGALES & BOMBERS |
| Year: 1975 | Producer: Manfred Mann & Earth Band |
| Manfred Mann & Earth Band 1975 The Mann sets the listener right opening this fabulous epic space rock experience with Springsteen's "Spirit In The Night". Big guitar breaks and power chords (a la Gilmour), wallpaper synth and organ (a la Lord), a monstrous bottom end string section (a la Lynne), rip-the-strings-off bass and thumping percussion sees this album sparkle and glisten. The Mann even rocks Armatrading's "Visionary Mountains". Turn it up. |
| 86 | ROD STEWART |
| EVERY PICTURE TELLS A STORY |
| Year: 1971 | Producer: Rod Stewart |
| Pulling out of the Faces mode for a mo, Rockin Rod made this LP and proved he was a consummate all round artiste - singer (never better than on this), songwriter (includes the monster Maggie May), and producer (the results within). He touches on the traditional, blues and folk - all underlying the rock essence of this international chart topper. Ronnie Wood shines throughout, as does fellow Face, McLagan. Relive it. |
| 87 | PETE WINGFIELD |
| BREAKFAST SPECIAL |
| Year: 1975 | Producer: Pete Wingfield & Barry Hammond |
| Remember the 1975 turntable hit "Eighteen With A Bullet" by singer songwriter Pete Wingfield? Here's his collection of quirky pop songs where Pete tackles ALL the vocals (England's answer to Nilsson?) and keyboards (he had played in The Hollies). His vocal range is outstanding, at times sounding 1920's tin-pan, at others, smooth as Smokey Robinson. Delightful arrangements. Lush strings. And tea made by Pete. |
| 88 | GONG |
| RADIO GNOME INVISIBLE PART 1 - FLYING TEAPOT |
| Year: 1972 | Producer: Giorgio Gomelsky |
| World music before there was "World Music", with all manner of forms here from Arabic jazz to Zappaesque dreamtime. Daevid Allen, an Aussie ex-pat on too many drugs in 60's Europe, brought together, in the early 70s, a trilogy of fascinating albums for punters wishing to expand their consciousness. This is English Acid Rock (more freeform than American and more open to outside influences). Far out. |
| 89 | STATUS QUO |
| PILEDRIVER |
| Year: 1972 | Producer: Status Quo |
| Head Quo Rick Parfitt once said he didn't know what the words in the band's songs meant. And who cares if he doesn't? The ultimate good time boogie band shine like Decore on 72's Piledriver. The fifth-sixth pattern rarely sounds this good. Songs that roll along so you lose your flopping head. It's tight as a fishy's and expertly played. Close your eyes - they're in concert, it's that live. Just don't hurt yer neck enjoying it! |
| 90 | JOE JACKSON |
| LOOK SHARP |
| Year: 1979 | Producer: David Kershenbaum |
| There's a lot of pain in Joe's first LP of songs that belie the first listen. It sounds up and happy - the tunes are bright, pure pop, and, generally, fast and furious. But Joe's been jilted and these clever lost love songs, crafted along the lines of early Costello - there's similarities here, are personal. Later Jackson went high-tech and became somewhat predictable - but here every song stands out - a mini pop masterpiece. |
| 91 | 10cc |
| THE ORIGINAL SOUNDTRACK |
| Year: 1975 | Producer: 10cc |
| 10cc were pretentious. Four well-off lads who had at their disposal a state of the art recording studio courtesy of Eric. Pop's major players came from all socio economic backgrounds and, to a degree, released product that reflected this. Greater men with all at their disposal have fucked up. But 10cc are master craftsmen. And every minute on this LP is worthy of commitment to vinyl. A grand adventurous work that worked! |
| 92 | RARE EARTH |
| MA |
| Year: 1973 | Producer: Norman Whitfield |
| OK. The party's shakin'. "Greetings From LA" is almost finished. The beanbags are vacated. Everyone's bopping. So what do you follow it with to keep the vibe up? Ma is a shameless dance LP by Motown's first all-white group signing, Rare Earth. The epic title track is Side One. Side Two offers funky cuts a la Temptations, War, Parliament and Santana. It's a Norman Whitfield production. Enjoy & pass it on! |
| 93 | DR JOHN |
| DESITIVELY BONNAROO |
| Year: 1974 | Producer: Allen Toussaint |
| Mac Rebennack - The Night Tripper - combines funk, glitter, blues and voodoo charm under the direction of studio giant Toussaint on this sleeper of '74. The Dr's raspy rock vocal style melds neatly with the wah-wah rhythm of Leo Nocentelli, layered keys (from The Dr, Toussaint and Art Neville), a five piece brass section, thumping rhythm section and intricately arranged backing vocal choir. A delightful surprise package. |
| 94 | BOZ SCAGGS |
| SILK DEGREES |
| Year: 1976 | Producer: Joe Wissert |
| Boz was The Buzz in 1976. Before Boz went podge he released his multi-million selling Silk Degrees. It ranks for the sheer quality of each and every track. The writing, arranging and musicianship is exemplary. Future members of American arena rock giants Toto helped Boz bring his dream into reality. The ensuing massive royalties ensured Boz was to battle the bulge from this point in his life on. |
| 95 | ELECTRIC LIGHT ORCHESTRA |
| ELECTRIC LIGHT ORCHESTRA |
| Year: 1971 | Producer: Jeff Lynne |
| Roy Wood, Jeff Lynne and drummer Bev Bevan started working on the ELO project when The Move fell over. Lynne and Wood were obvious Fab Four fans. Their chord progressions and singing and strings and woodwind and horns and studio wizardry - it's a 70s Beatles that Wings could never have been. Their debut LP is experimental, loose and marvelous when played really loud. The only ELO with Wood. |
| 96 | T REX |
| ELECTRIC WARRIOR |
| Year: 1971 | Producer: Tony Visconti |
| The founder of Glam Rock, Marc Bolan, hit his commercial straps in 1971 with this LP of full-blown rock tunes. Here Bolan had honed his sound, and he never bettered it on subsequent albums. His sound, on this release, was fresh, brash and brand new. Includes the hits "Jeepster" and "Get it On". Backing vocals throughout from Flo & Eddie (ex-Turtles Mark Volman and Howard Kaylan). This popstar rocked! |
| 97 | XTC |
| WHITE MUSIC |
| Year: 1978 | Producer: John Leckie |
| The debut release from England's XTC is a lively eccentric pop-punk recording with biting vocals and blitzkrieg guitars. Letting lose and never waning, co-leaders Andy Partridge and Colin Moulding work their tireless repertoire from the opening power chords until the final cymbal clashes. This was the punters' first taste of XTC's pop sensibility. Includes one cover, an epic version of Dylan's "Watchtower". |
| 98 | AC/DC |
| HIGH VOLTAGE |
| Year: 1974 | Producer: Vanda & Young |
| The Akker Dackers released their first LP in 1974. New vocalist Bon Scott replaced Dave Evans and brought to the band his Scottish tonsils and sense of humour. Apart from Big Joe Williams' blues classic "Baby Please Don't Go", all songs were originals, and in the hands of Harry & Uncle George, the boys rocked the foundations of 139 King Street, Sydney. This is raw AC/DC and was the first to be heard outside a pub. |
| 99 | YES |
| FRAGILE |
| Year: 1971 | Producer: Yes & Eddy Offord |
| Dinosaurs like Yes wore the brunt of abuse from young Punks in the late 1970s, but, it can be said now that in their day Jon Anderson and his group stood out as great exponents of classic 70s rock. On Fragile, their fourth LP and first with Rick Wakeman, all five players get their chance to excel. Includes the epic "Roundabout" and "Long Distance Runaround". More accessible than ELP, YES were at their finest here. |
| 100 | PHIL MANZANERA |
| DIAMOND HEAD |
| Year: 1975 | Producer: Phil Manzanera |
| It was written of Diamond Head, "Patience is required before the obvious excellence of this record transforms appreciation into attachment". Roxy's virtuoso guitarist produced this solo LP in '75 calling in Eno and other mates to make a great rock album. It's a musical travelogue in 12". Phil's guitar work is searing, Eno sings, there's tasty instrumentals, Andy Mackay & Paul Thompson. Get attached to it. |
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